Nakagawa said he was trying to educate Grossman about the history of [the swastika] as a Buddhist symbol of love.

the monster Koichi saw at the end of World War II resurfaces.Toho’s ‘Godzilla Minus One.

Yamazaki-san and his team also manage the impossible (at least up to this point in the Godzilla series) by making the human story as compelling and necessary as the kaiju Godzilla monster attacks.Somehow ‘Godzilla Minus One manages to communicate the horrors of the atom bomb better than ‘Oppenheimer.has turned out to be one of the very best in the series.

And stay to learn how it was done as we have the honor of speaking with Yamazaki-san himself about he and his team made one of the all-time great Godzilla movies.followed by QA with director Takashi Yamazaki.

com/calendar/godzilla-minus-one-with-director-yamazaki-san-qampa-the-smc-theaterNote: Entrance/parking is in the back of the 1917 Bay St.

and movie magic can still be made.The nonprofit Densho has mapped close to 100 sites of Japanese American incarceration across the country.

Many former Tuleans did not want to admit they were incarcerated there for decades after the war.This essay was originally written for How Should Societies Remember Their Sins?.

but it can help clarify the stakes.A few Japanese Americans—in their 70s and 80s.